For his Black Dynamite score, Adrian Younge, at every opportunity, took the long way around. He studied the composition and instrumentation of ‘70’s cinematic soul, down to the outdated tape machines, instruments and mics it used. He eschewed the ease of digital production (the only reason half-assed bullshit like Owl City exists, BTW) and stuck with linear, analog editing. The results are not just a carefully crafted tribute to their source material; they accomplish the same sort of soulful thrill ride. BRILLIANT!!!!