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Fiona Apple - Fetch The Bolt Cutters - CD -

Price per Unit (stuk): €19.95


Up until now, Fiona Apple has dissected the intricacies of pain so well that it seemed silly to ask her for anything else. Her 1996 debut album, Tidal, turned heads for placing a young woman’s trauma against a lush piano backdrop, and thereby set in motion the Sad Girl archetype that reverberates through pop to this day. In the midst of praising her art, some critics mistook the 18-year-old’s woeful honesty for weakness. Her precocity was turned against her, and everything became a target for scrutiny or ridicule: her weight, her appearance, her album titles, her emotionalism, her ability to sniff out bullshit. In these past two decades, Apple’s version of taking charge of this narrative has been to retreat, returning every six, seven, eight years with a new collection of songs, ready for the next wave of devoted acolytes to find solace and catharsis in her work.

For longtime fans who are expectantly, perhaps giddily, steeling themselves for another brutal LP from Apple, Fetch the Bolt Cutters will not disappoint. Released with little warning nearly a decade after 2012’s The Idler Wheel…, the album sees the now-42-year-old songwriter proving that she’s still more than capable of telling off partners, detractors, and others who have done her wrong, all while picking apart the inner workings of her frantic mind. But what sets Bolt Cutters apart from its predecessors is that, for the first time, the scales tip more toward resilience than agony. “I thought that being blacklisted would be grist for the mill, until I realized I’m still here,” Apple admits on the title track — a line that she improvised and kept around because, as she told The New Yorker, she thought it was embarrassing. Bolt Cutters is what happens when those outside influences that have crept behind her for her whole life are buried away, leaving a person to figure out what confidence or self-worth can be found away from the spotlight.

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